News and Updates
Questions Considered - Activating Your Board
Tuesday, April 26, 2016 12:00 AM



ARTS Action Research


How can I activate my board?


A common challenge for nonprofits we work with is the difficulty of fully engaging board members in the work of being ambassadors, resource generators and relationship builders for our organizations.  We are often asked ‘how do I get my board to more actively engage?’ 

In considering the question and the often frustrating circumstances that lead to it – minimal attendance at performances and events, lack of response to e-mails and a flurry of last minute cancellations that result in board meetings without quorum – we need to understand what we are up against.   In our experience, most board members are well meaning and committed to the organizations they serve. But, when the day-to-day obligations of work, family and community overwhelm them the needs of the nonprofit often fall to the bottom of their to-do list.  Improvement can be made, but we must start by setting realistic expectations and recognizing that not every board member is able to contribute in exactly the same way or at the same level.

There is a lot of mythology about boards, which leads to unrealistic expectations both in terms of what arts leaders expect from their board members and how board members expect they will be integrated into our organizations.  Setting realistic expectations means considering the realities of board members lives and focusing on the most meaningful things they can be doing for our organizations rather than asking for many commitments in the hope that they will come through on at least a few.  It means working individually with board members to develop their own personal goals and commitments. It requires us to have honest conversations about what both parties will get out of the relationship. 

Clear expectations are essential right from the start.  It is important when cultivating and recruiting board members that there is no hidden agenda and that neither party is coy about what they expect or what they will deliver. Some organizations fear that clearly stated expectations, especially around giving, might scare off potential board members.  But, if what we need and want is board members willing and able to make a significant leadership contribution to the organization, clear and upfront discussion is essential.  In these conversations both the leadership and the prospective board member should consider carefully their available time and other obligations and consciously commit only to what they can deliver.  Everyone should know that it is better to make a small commitment and deliver than to make grand promises that go unfulfilled.

Beyond expectations, communication is key.  Whatever time you have to commit to nurturing your board, you should be spending about 90% of it on communication.  In order to build relationships with board members and to create a greater sense of meaning for them (which will naturally build engagement), we need to communicate regularly not only about what we are asking of them but also about the ongoing activities and goals of our organizations.  Many board members struggle when asked to take on a task because they don’t understand the bigger picture.  Our ongoing communication with them should create the context that makes their role and impact clear.   

Finally, if we want to keep boards motivated, we need to celebrate success with them – both the organization’s successes of which they are part and their own successes as a board.  When they can see goals being reached and understand the impact of their contributions, most board members will be more inclined to step up as ambassadors and relationship builders.  Celebration brings us together in positive ways that reinforce our shared values and creates an environment in which everyone feels appreciated and engaged.

Do you have stories of successful board engagement strategies? We’d love to hear what has worked for you.

Do you have questions in your organization or work that you would like to work with ARTS Action Research to explore and understand?  AAR Associates are available to A.R.T./New York members throughout the year, conducting Nancy Quinn Program workshops and providing one on one consulting support through the Theatre Leadership Program. For more information about these programs, contact Ann Marie Lonsdale at A.R.T./New York.

2016 Nancy Quinn Fund Recipients
Thursday, April 14, 2016 12:00 AM

 Nancy Quinn Fund Grantee: The Queen's Company's Production of Sir Patient Fancy (Photo by Bob Pileggi.


Congratulations to the following 42 companies who received a total of $50,000 through the The FY16 Nancy Quinn Fund program! The Nancy Quinn Fund provides general operating support to A.R.T./New York member companies with budgets under $100,000.


American Bard Theater Company Live Source Theatre Group
Andy Bragen Theatre Projects New York Deaf Theatre, Ltd.
Blessed Unrest Noor Theatre
Broken Box Mime Theater Parallel Exit, Inc.
Buran Theatre Partial Comfort Productions
CollaborationTown Peculiar Works Project
Collapsable Giraffe Pipeline Theatre Company
Crossing Jamaica Avenue Project Y Theatre Company
Downtown Art Rising Circle Theater Collective
Dramatic Question Theatre Roots&Branches Theater
Everyday Inferno Theatre Company Sinking Ship Productions
General Mischief Dance Theatre Smoke & Mirrors Collaborative
Gideon Productions Steps Theatre
Glass Bandits Theater Company The Assembly Theater Project
Hedgepig Ensemble Theatre The Mad Ones
Honest Accomplice Theatre The Movement Theatre Company
Hook & Eye Theater The New Stage Theatre Company
Immediate Medium The Queen's Company
IRT Theater The Syndicate
La Troupe Makandal, Inc. Theatre 167
Little Lord Untitled Theater Company No. 61






Salim's Art Closet
Friday, January 22, 2016 12:00 AM


A.R.T./New York presents

SALIM’S ART CLOSET - Exhibit of new paintings by Salim Fields

Gallery Three at South Oxford Space

January 28 - May 8, 2016


The Alliance of Resident Theatres/New York (A.R.T./New York) is pleased to present an exhibit of recent acrylic paintings on canvas and board by Salim Fields - Salim’s Art Closet.  This beautiful arrangement of Salim Fields’ recent work shows his passion for color and texture and the influence of the organic on his abstract works.

An opening reception will take place on Thursday, January 28 from 6pm to 9pm. This event is free and open to the public. Refreshments will be served and the artist will be in attendance.  Gallery Three is located on the third floor of South Oxford Space, at 138 South Oxford Street in the Fort Greene section of Brooklyn.  Regular exhibit hours are 10am to8pm daily.  Additional viewing hours are easily arranged by calling 718-398-3078.

Salim Fields was born in Brooklyn, New York and grew up the only child of a mother who was an artist at heart. However Janice Fields, due to her responsibilities as a single parent, never fulfilled her dreams in the art world. Salim’s interest in art began in public school when he discovered his mother’s art portfolio and tried to emulate her work. He also loved the 1974 show Good Times, where he became a big fan of Ernie Barnes, who was the artist behind the character JJ Evans. Growing up, Salim enjoyed drawing and painting, but did not officially attend any art classes or schools until he entered college as a film major, with a minor in photography. During his senior year, Salim fell in love with abstract art. In 2007, Salim graduated with a BFA from Pratt Institute.

Salim finds his work can be a valuable healing tool, both calming and inspiring. It sparks creativity, helping the observer explore another side of life through vibrant earth tones and organic movement. He says, "When I paint, I feel as if I am bringing something beautiful to life, not just putting paint on a canvas. The majority of my work is done in earth tones. I find them soothing as well as visually captivating. In my artwork, there will always be some form of movement, growth, life and most of all positive energy.” These small to medium sized works are abstract, yet evocative of landscapes and earthly scenes. Many are textured, with many layers of paint and molding compound. All have more to offer than what is seen at first glance.                                                                       

To learn more about this exhibit and Gallery Three, please contact Stephanie Bok, Manager of South Oxford Space at 718-398-3078 or email For more information on artist Salim Fields, visit



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